
If your thread is only tangentially related, it is probably considered off-topic.

The best sounds often come from allowing processing to produce some amazing characteristics while others get lost which you then add back in with another stage of processing.Īnd if you don't like it on bass, it could be for non-bass things: higher synths, drums, vocal processing, whatever. Besides, it's a bit limiting to dismiss synths and samplers unless they produce the final sound all in the one unit. This is a fantastic tool for doing neuro-esque sounds, Transformers-ish effects and so on, and basslines can sound tough as hell with it while also having detailed texture effects.

They can all lean towards that kind of sound, but they don't only make that sound. That's because it's a spectral processor (or at least, I assume that what you heard Seamless doing was the spectral options since that's usually what gets that effect - the central additive synthesis can produce those thin/wet sounds too).
